You are always encouraged to conduct your own due-diligence before purchasing any product or service. HD video is widescreen, with an aspect ratio of 16:9. Cinema lenses also tend to have a larger amount of pull needed to adjust focus. This lens is great for one-day or weekend rentals. Set at 2.8, it’s not the fastest lens in the world, but for a zoom in controlled and bright settings, you’d be hard-pressed to do much better. My Sony A7S II has a Sony E-Mount receiver. You can also use optical converters to mount lenses designed for full-frame or APS-C sensors. (The focal length is the amount of distance that you can have in focus at one time.) Using a lens without VR can be a deal breaker if you’re shooting on the go as it can be really hard to steady the video when shooting handheld. It’s stabilised and works with the Dual IS system on the G85/G80 and GH5. The aspect ratio (shape) of the full Panasonic sensor is 4:3. It’s a convenient, high-quality (but expensive) option for news, events and documentary. Check out his website or instagram for more. Download The Filmmaker Roadmap So You Can Level Up Your Filmmaking! Where should one begin when trying to recommend lenses for fellow documentarians? One of the most popular accessories for iPhones and other smartphones is the Moment Lens range. If someone says they are ready for their close up, grab this lens. Panasonic’s smaller MFT sensor is usually quoted as having a crop factor of 2 when you’re shooting stills. For more information click here. Unfortunately for would-be remote filmmakers, the best tripods for long-lens filmmaking are also extremely heavy. Here are popular filmmaking resources: The future of filmmaking is not Hollywood. This is because, I didn’t buy a full frame lens. A zoom lens is a long tube and the glass elements can be slid closer or further apart to change the lens size. If you are planning to put together a cinema film camera set of lenses for your own productions be ready to spend a TON OF CASH but there is hope for us low budget filmmakers.After doing a ton of research I settled on a Rokinon Set of Primes.. If you want to get the most bang for your buck without spending too much, this is a great beginner's kit. Because this doesn’t use the whole sensor, the crop factor increases to 2.2. I use an Olympus OM Zuiko 50mm f/1.8 myself. A short focal length is fantastic for when you want the back ground to be much more out of focus than your subject. But if you want to do precise, traditional focus pulling you may prefer lenses with a mechanical focus rings: vintage primes, a set of Cine lenses, or the Rokinon/Ssamyang manual focus prime lenses. Here we are going to go through them, one by one, to have a look at what they promise and the results achieved. It’s useful for documentary situations where you’re working in confined spaces, and like most ultra wide lenses it’s easy to handhold. This is why for documentary or run and gun filmmaking, a good zoom lens will be preferred to a fast prime. Note: Moment lenses need their purpose built case to attach to your smartphone. All the Panasonic zooms above are ‘fly-by-wire’. If you’re full-frame, or use a different array of cameras, this lens speed combined with some wide zooming is still a great option for documentaries where you’re up close to the action. Get 5 videos every month and save. I choose five lenses made by a Korean company called Rokinon. This page shows how lenses with different focal lengths affect the image. This is very useful when filming, as a tiny focus pull can be much more challenging to get right during a shot. And it has Dual IS image stabilisation. Medium telephoto prime lens: 42.5mm f/1.7. I rarely use a long telephoto lens, but the advantage of the MFT system is that even long lenses are relatively compact. A full frame lens allows the image to cover the entire surface area of the sensor. And since I mostly use my equipment for making films so it was important to me to find cinema style camera lenses. Pair a cinematic Moment lens with the professional stabilization quality of the Freefly Movi, for an unbeatable mobile filmmaking setup. Fotodiox make adapters for mounting manual focus lenses to mirrorless cameras. Crop factor means how much smaller the sensor is than a ‘full-frame’ 35mm still camera frame. The Panasonic Lumix 7-14 f/4 is a constant aperture, wide angle zoom. A variable lens is helpful in run and gun situations. The advantage of a prime lens is that the image generally is sharper and exposure does not require as much light as a zoom lens. They have focus rings, but they’re coupled to electronic motors. To start the process, you’ll need to know the camera sensor size and the specific lens mount for your camera body. Before you go, make sure you grab a copy of The Filmmaker Roadmap. © 2013-2020 Shutterstock Inc. All rights reserved. Documentary filmmaking, unlike narrative filmmaking, is by its nature very uncontrolled, improvisational, and open. However, for the occasional use, you can get great footage from this lens. They were good value then, and they’re an absolute bargain now. Types of Lenses: My Choice of Camera Lenses for Low Budget Filmmakers. While not a necessity, a strong zoom long lens can still be a great addition to any documentary project where up-close-and-personal coverage is not an option. The next thing that you want in a lens is a fixed aperture lens. If you don’t need constant aperture, the much cheaper 45-150 f/4-f/5.6 is very good value, and also has Dual IS. Zoom lenses are convenient. Sometimes you can order your camera body with the mount you want but if not, don’t fret! The further you zoom the camera, the more a small shake in the camera is amplified. So your 12mm lens is now about a 26mm equivalent. Filmaking techniques, ideas, short movies and film history to inspire your filmmaking. One attribute of a cinema lens is that it has ‘teeth’ around the focus ring and the aperture ring. A favorite of documentarians for close-ups and more stylized insert shots (as well as greater speed in dark environments), a strong 50mm (or “nifty-fifty”) should be in every documentarian’s bag. It should be wide enough to work with your crop sensor cameras yet still be useful on a full-frame like the Canon 5D. The 14mm lens creates unbelievably wide images and allows you to get a shots in a small work area. This post was written by a guest filmmaker blogger. iOgrapher Filmmaking Case – iPad Mini – Turn your iPad mini into a filmmaking powerhouse with the iOgrapher Mobile Media Case. They also effectively increase the maximum aperture of the lens, which is useful for working in low light. If you enjoyed reading this article, make sure you grab a copy of The Filmmaker Roadmap. When it comes to buying camera lenses, some are better for photography and some are better for cinema. These zoom lenses cover the range from wide angle to medium telephoto, and have Dual IS for easier handholding. This is fine if you’re happy with autofocus, setting focus using the touchscreen, or using the pre-programmed pull focus in some models. A variable lens is extremely useful in a fast paced scenario but it does require more light. This lets you compare lenses on different sensors. Never overpay for content again! The 35mm on different cameras can act close to a medium (or even long) lens, but it should always give you a standard feeling and good coverage of action and events. The Panasonic 35-100 f/2.8 zoom is fast, sharp, and works with Dual IS. It’s small, light and sharp. For the best wide-angle documentary filmmaking, Rokinon’s fixed 35mm will give you the most speed and shallowest depth of field for those looking for the crispest image quality. So you will want to become friends with the cameral rental house, rent some lenses and then run a lot of tests. It is the thousands of independent filmmakers empowered by the digital revolution. This means that when I buy camera lenses I need to be sure to buy one that has this type of mount. As an Amazon Associate I earn from qualifying purchases. That’s still a useful wide angle, but not quite as wide. And how does filming 1080p and 4K video affect the crop factor? Plus, get FREE clips into the bargain. This is really useful for extending the reach of a telephoto lens. The sensor is the part of your camera that translates the image you see into the 1’s and 0’s of digital video. While you might set up interview dates and times beforehand, you have no way of knowing what the conversation will yield. As a general rule of thumb, lenses going below 50mm starts to become wide angle. If you'd like to write a guest article for Filmmaking Stuff check out our Write for Filmmaking Stuff page for details about how YOU can share your ideas to the filmmaking community. John Graham is an LA based filmmaker. Metabones’ Canon EF adapters even maintain autofocus, though it won’t be as fast as on a Canon body. But which lenses should you buy for shooting video? In fact, a light breeze, as subtle as it might seem, can wreck a shot. Made from high grade polycarbonate/ABS blend, the iOgrapher is extremely tough and durable, and can stand up to any shooting environment. If you are, in fact, on a crop sensor camera that necessitates working as wide as possible, Sigma’s 18-35mm is a great option that offers better low light and cinematic looks at 1.8. You could also try other focal lengths: the 85mm f/2 would make a fast, compact 190mm equivalent telephoto on MFT. Thus, the quality of the tripod is extremely important. If you’d rather have a prime lens, the Rokinon/Ssamyang 12mm f/2.0 is good value (and two stops faster than the 7-14) though it’s only manual focus. The 35mm on different cameras can act close to a medium (or even long) lens, but it should always give you a standard feeling and good coverage of action and events. If you’re looking for a much narrower field of view, the 50mm and 85mm lenses are the way to go. Start a Documentary Today with This Quick Guide to Documentary Film, Best Digital Cameras for Documentary Filmmaking. You can pick them up on eBay for a fraction of the price of a modern lens, and use a simple adapter to mount them on your Panasonic camera. And the 35mm lens is known for the Hollywood close up. The wide maximum aperture makes it easier to put the background out of focus. Happy filmmaking! There’s just so much to consider, and every documentary is different. Like all aspects of filmmaking, the creative decisions you make both in terms of camera lenses and gear should always serve the story. Keep sensor size in mind when you buy a lens. You can get the GH5 with the fast, expensive, high quality Leica 12-60 f/2.8-f/4.0 Leica lens, or the longer Lumix 14-140 f/3.5-f/5.6 lens which would be useful for travel. Moment Lenses For Smartphone Filmmaking. Different companies make their cameras with specific mounts. But with most Panasonic cameras (except the GH5s, which has a bigger ‘multi-aspect’ sensor), video is different. For the best wide-angle documentary filmmaking, Rokinon’s fixed 35mm will give you the most speed and shallowest depth of field for those looking for the crispest image quality. He also creates short documentary features for the Dallas Observer — a subject which inspired his recently published e-book on the shooting, producing and editing lifestyle called SHREDITOR, which can be purchased on Amazon. The 24mm lens is still fairly wide angle but it creates an image that looks more normal to the eye. My Sony A7S II for example, has a full frame sensor but the full sensor is only being used when I film in 4k resolution. Oh, the perils of documentary filmmaking. Extreme wide angle lenses would be 17mm or 14mm. 1: A “regular lens”: This is a 50mm still camera lens 2: A moderate wide angle lens: 24-35mm still camera lens 3: A moderate zoom lens: 80-200mm still camera lens. • VR (Vibration Reduction) image stabilization is built into some of the best zoom lenses. His feature films ‘Home Sweet Home’, ‘Catching Faith’ and ‘Wish For Christmas’ are available in the USA and world wide. I made a mistake of buying a really nice Zeiss zoom lens for my camera and was dismayed to discover that when shooting in 4K there was a heavy vignette around the image. Filming in different resolutions actually effects how much of the sensor is in use. Thanks for reading! The GH5 has this feature (at 1.4x magnification) when filming 4K. It’s a medium telephoto on MFT, great for closeups of people. They’re excellent value when you buy them bundled with the camera: they’re usually much more expensive to buy on their own. It has a constant aperture so exposure doesn’t change when you zoom in and out. [CLICK HERE]. Especially great for interview setups and filming more static and controlled footage, the 1.5 85mm is a game-changer for turning a run-and-gun documentary into a serious film. The zoom up to 200mm is huge, and it comes with surprising clarity and speed, which can make long shots look stylized and controlled. The same closeup was filmed with wide-angle, ultra wide, ‘standard’, medium telephoto and telephoto lenses. But I’d recommend getting a fixed focal length (‘prime’) lens … John attended the Savannah College of Art and design, where he graduated Magna Cum Laude with a BFA in Film and Television. This set of primes is what I use for all my personal projects. It covers the range from medium telephoto to ‘serious’ telephoto. This page includes affiliate links. The Panasonic 42.5mm f/1.7 is equivalent to around 90mm (medium telephoto) on a full frame sensor, so you can get far enough away for undistorted closeups. But it’s expensive. Please see more information about their bio in the post above. This has a higher reduction to allow for the 4K image crop on the GH4 body. If you would like more information, please read our full Compensation Disclosure. Further, trying to capture organic footage, as the action happens, can be perilously difficult if you’re not flexible and prepared with adaptable gear. This means we receive compensation. A non full frame lens only allows the image to cover a portion of a full frame sensor. If I were to shoot in 1920 x 1080 I would only be using a portion of the sensor for the capturing of the image. The GH4 captures 4k ‘pixel for pixel’ (just recording from the 4K-sized area in the middle of the sensor) which increases the crop factor. When it comes to buying camera lenses, some are better for photography and some are better for cinema. ATTENTION: Links and articles shared on this website contain affiliate links and also promote products and services. Let’s explore five EF documentary lens options to consider before your next shoot. With the G7 and G85/G80, the effective focal length increases by 2.4x in 1080p HD; on the GH5, it’s 2.7x. You get an 18x telephoto zoom lens, 0.63x wide-angle lens, 15x macro lens, 198° fisheye lens, six different kaleidoscope lenses, a CPL filter lens, tripod, and Bluetooth camera shutter for easy snapping and recording. So before we get into lenses, let’s narrow down a few things. For example, 24mm is a useful wide angle lens on a full-frame camera. As such, one of your most important decisions when starting a documentary project is which lens or lenses you plan to use to ensure the best coverage possible. These adapters reduce the image to fit on the MFT sensor. Canon’s 1.8 is a great lens, but you can always go much faster if you’re willing to spend more. Since coverage is one of the important factors in your decision, a flexible, wide-to-medium-angle z0om lens like Canon’s 17-55mm is a great place to start. Sharpness is determined, in part, by the quality of the glass and how that glass is ground to create the lens. But I’d recommend getting a fixed focal length (‘prime’) lens as well. You can get the GH5 with the fast, expensive, high quality Leica 12-60 f/2.8-f/4.0 Leica lens, or the longer Lumix 14-140 f/3.5-f/5.6 lens which would be useful for travel. With over 90 clips of action, dialogue and B-roll, plus step-by-step user guides, Filmmaking for children and young people: interactive book for iPad, Mac and iPhone, Free PDF storyboard, logging and documentary sheets, Free PDF teaching packs in English and Welsh. 50mm primes were the ‘standard’ lenses on old film SLRs. The G7 normally comes with a 14-42 (f/3.5-f/5.6) lens, but the G85/G80 kit lens covers a wider 12-60 range (it’s also f/3.5-f/5.6). This site uses cookies to improve your experience. When you look through a lens that is meant for a smaller sensor you will actually see the inside edges of the lens which are black. A true macro lens (compared to the 50mm), Rokinon’s 85mm packs a close-up punch that lends a tight, cinematic quality to your image that you won’t find with a wide. Filmmaking Stuff is a professional resource for entrepreneurial filmmakers, providing practical strategies on screenwriting, producing, funding, directing, marketing and distribution. Choosing a particular lens an aesthetic decision, based on your needs as a filmmaker. Add a 37mm lens for wide angle, fisheye or macros shooting. The Panasonic 12-35 is fast for a zoom, so it’s relatively good for low light and shallow focus. Key tips for making your first short film or video, Planning, filming, editing and sharing: the key stages of the filmmaking process. These telephoto camera lenses are great for capturing a fine detail or an extreme close up. Panasonic mirrorless cameras like the G7, G85/G80 and GH5 are increasingly popular for filmmaking. Choosing a particular lens an aesthetic decision, based on your needs as a filmmaker. That means you’d need a 12mm lens on your Panasonic camera to get the same effect as that 24mm lens. When buying camera lenses, sharpness is also an important consideration. These lenses are relatively cheap but the craftsmanship and the quality of the image they produce is impressive. Just keep in mind that a telephoto lens will also have a much shorter focal length. These ‘teeth’ can be combined with a follow focus to allow the AC (Assistant Camera) to pull focus during a shot. If you’re shooting exclusively 4K footage on a GH4, you could use the Speedbooster XL instead. This lets you record a crop from the middle of the sensor, effectively increasing the focal length without losing quality. Jourdan is a writer and video journalist based in Dallas, Texas. This is particularly important with Panasonics, as the small MFT sensor has greater depth of field at a given aperture than an APS-C or full frame camera. If you were to use a full frame lens on a smaller sensor you will not be capturing the full image. The easy option, especially if you’re on a budget, is to buy your camera together with the standard kit zoom lens. So you will want to become friends with the cameral rental house, rent some lenses and then run a lot of tests. Zoom lenses are convenient. It gets more complicated if you’re shooting 4K Ultra HD, and it’s different depending on which Panasonic model you’re using. This is very important for documentary filmmaking when you are filming as events happen. Most Panasonic mirrorless cameras have the option of Extra Tele Conversion. How to make movies with your iPhone or iPad, Using pictures, sound, and sequences in your movie, Using the camera, light, position and movement, Film and edit so that your movie makes sense, Tips to make sure you get all the shots you need, Filming ‘rules’ to help viewers understand what’s going on, Essential principles for editing your clips together, Short movie structure, storytelling tips and story ideas, Introduction to equipment for low budget filmmaking, My starter kit for low budget filmmakers, documentary makers and citizen journalists, What you need to shoot good video with mobile devices, Learn filmmaking by editing a short movie. Filmmaking Stuff | Copyright 2020 Brubaker Unlimited LLC. Along with his work as a contributing writer for PremiumBeat, he has contributed articles covering film and video news to Vimeo, Shutterstock and No Film School. A prime lens is a set lens as opposed to a variable lens, (zoom lens). The Speedbooster Ultra has a focal length reduction of 0.71, which means you’ll get roughly the same field of view as if you were using the lens on an APS-C body, assuming that you’re shooting HD. The lens mount is how your lens locks onto your camera. Know what sensor size you have and then buy camera lenses designed for that sensor. There are companies that make excellent adaptors to fit most any lens to any camera.
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